17 Text

17 Text

While not really an advanced technique, adding text to pictures in Photoshop does automatically create a separate layer, so I've waited until now to discuss it.

This is a book cover of mine. I've just used the Text tool (it looks like a capital T) to add the text. It's two separate lots of text so it's two separate layers.


The font I've picked is Trajan Pro (bold) but there are hundreds of others. Flat text is boring so I'm going to make this 3D and gold.

In the Layers Window, right-click on one of the text layers and select Blending Options.

This gives you a hole range of effects to play with. The one I've used here is Bevel and Emboss. There are sliders again for how much and how big and... you'll see.


The second effect I've added is a colour overlay in a sort of ochre yellow that looks very gold (yellow being too yellow). I had to move the opacity slider to 50% to make the colour transparent enough for the bevelling to show through.


The final effect is convincingly 3D and metallic.

Here's an example of the Text Warping tool. I started with plain horizontal text, warped it and added just a little bevel to lift the characters off the background. I added a pebble texture too and a rainbow gradient overlay instead of a flat colour.


An important detail when adding effects that involve shadows is the direction the light is coming from in the photograph. Photoshop lets us set the direction of the notional light source for these effects so it's easy to match the light and shadow in the background image. What is more, we get a choice of setting that globally, for all the effects we're using, or we can set different light sources in different layers. If that doesn't sound massively useful, consider this example.


Taken at a venue with two spot lights, I wanted to make the text appear truly floating.

Simple really: Add the plain text, add a bit of bevel (I like bevels) and a Drop Shadow with about 50% opacity and light from the left. I moved the Distance slider to about 180 (pixels) to put the shadow a long way back from the text, moved the Spread slider to 3 to make the shadow's edges just a little fuzzy and the Size slider to 10 to make the shadow just a bit bigger than the text.

That's one shadow done. For the second one, I duplicated the whole text layer. Two identical layers overlap perfectly so it still looks like only one word. I changed the Drop Shadow settings on the second text layer, unticking the little box marked “Use Global Light”, sliding the opacity down to 35%, the light source round to the right, the Distance out to 240, Spread to 8 and Size to 12. The second shadow is fainter, further away, fuzzier and a touch bigger. All reflecting the presence of two bright lights, left and right of the grumpy old Leicester fan.

Its all a lot easier to do than it is to explain.


This time, the text is simple but the background has been selectively lightened using the elliptical selection tool and the Lightness slider in the Hue/Saturation tool. Handy if you fancy making your own photo-stories or memes.

Before I get off the subject of text, I have one final example to share with you. It's a very subtle example of the use of text. It's a cover image for a screen play and, while the text for the title and my name is basic enough, it's not obvious that the hearts carved into the marble of her hip are text too.


Using careful scaling of a heart shaped character from the Wingdings font, I was trying to make the hearts appear part of the statue. 

Symbolically, it refers to the protagonist's tattoos. I think they blend in rather convincingly.